September 7-10, 2026 | SWEECC•Shanghai
2026 Maison Shanghai
Zhuomujiang (Beijing) Design Workshop, with Master Fu Tuanzhong at its core, adheres to a meticulous handmade attitude, inherits the royal woodworking tradition, and integrates modern Eastern aesthetics. Master Fu, originally trained as a sculptor, participated in the restoration of ancient buildings in royal gardens such as the Forbidden City and the Temple of Heaven in his early years. Later, he served as the director of the Red Sandalwood Museum and oversaw the woodwork construction of national-level projects such as the main venue for the 2014 APEC summit at Yanqi Lake, the main conference hall for the 2016 G20 summit in Hangzhou, and the Guanyin Altar on Mount Putuo. For over four decades, he has dedicated himself solely to woodwork, from large-scale carpentry to small woodwork, and from the restoration of ancient buildings to contemporary spaces. Every cut and chisel represents his accumulation of experience. Borrow wood to cultivate oneself, and use tools to embody the Tao. Wood is the carrier, and artifacts are the medium. Every piece we create, whether it's a hall, a chair, or a Buddhist niche, is not just the realization of function, but also the placement of spirit. We hope that when users sit down, raise their eyes, burn incense, and sit quietly, what they feel is not just a piece of furniture, but a soothing calmness. While inheriting the essence of traditional culture, what we have always been doing is reinterpreting the oriental spirit with contemporary aesthetics. The niche (a wooden cabinet that can accommodate the spiritual world) is our most unique work and the field we have delved into the most deeply. On the outside, it is a Ming-style cabinet, but on the inside, it hides a whole new world. Inside each cabinet lies a miniature ancient building - with mortise-and-tenon joints, clear beams and columns. The Tang-style niche reproduces the wooden charm of the main hall of Foguang Temple, drawing inspiration from the Northern Wei, Ming, and Qing dynasties. The niche is not limited to religion, but pays tribute to the pinnacle of Chinese classical architecture and woodworking craftsmanship. It is an object, but also a space where one can place one's spirit. Our business encompasses three major sectors: interior design, furniture design, and wood carving, among which the Buddhist niche is our most representative and unique product. We excel particularly in the creation of tea rooms and Buddhist temples. What we deliver is not just space and furniture, but a life that can be lived with peace of mind. Using wood as a brush and heart as ink, the humble carpenter crafts the character of China.